Archive for the ‘Gaza’ Category
Pasolini recorded his observations in the documentary A Visit to Palestine while scouting locations for his moving biography of the life of Jesus, The Gospel of St Matthew.
The sophisticated hasbara / sophistry that created the hologram of “democracy” and “chosenness” was the very first of Israel’s chief exports (to be followed by human organ smuggling, pornography, espionage and shocking weapons) and that it was and is a very “successful” endeavor in every part of globe, meant to convince not only hawks and politicos, but the academic world. Could Pasolini’s ambiguity re the brutal colonial nature of Zionism be due to the fact that in the 50s and 60s he and many intellectuals saw Israel as a progressive experiment in socialism that needed time to live up to expectations? The halo effect over Israel still hangs on in Europe and the USA for decades after al-Nakba.
Although the true nature of Zionism was little known in the West for decades– either in popular culture or among the intelligentsia — the mask of righteousness has slipped off Israel’s PR-drenched narrative and a truly demonic face has been glimpsed by more people than ever before.
Could these two films of Pasolini’s — one celebrating Jesus’ life, and one recording contemporary Palestine — be connected to Pasolini’s very tragic, unexpected and unsolved murder?
Pier Paolo Pasolini’s 1963 film Sopralluoghi in Palestina (English title: A Visit to Palestine, though it would be more accurate to call it Scouting for Locations in Palestine) showcases the director’s preparation for filming The Gospel According to St. Matthew. (Parenthetically, in Italian the latter film’s title is Il Vangelo Secondo Matteo, about which my film professor has posed a good question: do Italians erase the ‘saint’ in Matthew’s title or is Pasolini being irreverent?) The film is more evocative and personal than the average making-of documentary that often accompanies a major film as a voyeuristic sidebar. It is also not without its problems on the question of Palestine.
It’s clear from the outset that Pasolini is filming here because he is fed up with the industrial world: you can’t shoot a film about Christ near Milanese factories. He has come here for the Jesus ‘look.’ It’s not an aberration to point this out since it’s a stake Pasolini constantly claims: only in the Terra Santa itself can he strike the ‘poetic and archaic… extreme smallness, poverty and humility.’ His favorite part of the journey is a narrow strip close to Jordan because that’s ‘where Jesus spent his last days.’
In a rapid, breathy voice-over that runs the entire course of the film, Pasolini sounds almost like a tourist, both eager and disappointed to find comparisons with sites and sounds from home. He compares the rolling, grassy landscape of Palestine to southern, rural Italian cities like Bari, Calabria and Sicilia. Unfortunately, while he is certainly not the average tourist and though he does struggle some to decode what he sees, one gets the sense that he’s not really struggling enough—at least not any more than necessary to furnish scenes for his film. Coming to terms with not being able to film in ‘modern’ Nazareth, he says in a defeated tone: ‘You understand that in this period of our trip, I had set out as a problem, as the purpose of my research, the finding of those villages, places and faces which could replace modern villages, faces, places.’ (Avrai capito che in questo periodo del nostro viaggio, io mi ero posto come problema, come scopo della mia ricerca, il trovare dei villaggi, dei luoghi, delle facce, che potessero sostituire i villaggi, le facce, i luoghi moderni.)
His scouting tour takes him to much of pre-1967 Palestine/Israel, from the Jewish kibbutzim to the habitats of impoverished Palestinian farmers. While he interviews a young family at a kibbutz at length (conducted in Italian) he never films himself talking at length to Arabs. There is the linguistic problem, of course, but this distancing act reinforces something troubling that Pasolini repeats at least twice in the film: the Palestinians just seem ‘more authentic.’ They are ‘allegre, animalistiche‘—happy and animalistic—far closer to his archaic Gospel characters than the new inhabitants of the modern settlements/colonies dotting the hillsides.
Indeed, it can often seem like Pasolini takes the colonial project for granted. In the poem ‘The Southern Dawn’ (L’Alba Meridionale),* published a year after the trip to Palestine, he writes about finding ‘millions of men employed only to live as barbarians descended recently on a happy land, strangers to it, and its owners’ (milioni di uomini occupati / soltanto a vivere come barbari discesi / da poco su una terra felice, estranei / ad essa, e suoi possessori). Are the recent Jewish immigrants the ‘barbarians’ descending in ‘millions’ on a ‘happy land’? How does Pasolini reconcile their relationship to this land as both ‘strangers’ and biblical ‘owners’? The film is fraught with these same unanswered musings.
In this screen grab, Pasolini stands in front of a map of Jerusalem, surrounded by those likely objects of his disdain, modern advertisements for cigarettes. It’s hard to pinpoint a poetics to Pasolini’s critiques, but if there is one solid critique it is, again, his disappointment at what has become of his imagined Palestine. For the most part, his monologue is deeply concerned with the technical and aesthetic concerns of making his film. But the jabs he makes about modern, industrial Israel can be found if one is looking for them. They express sorrow at a lost aura he is sore that small, white Israeli settler/colonial houses on the plains appear soulless and uniform. ‘You could easily find [them] in the Roman countryside, or in Switzerland.’
One of the most moving moments is Pasolini in a Bedouin desert, encroached on ‘day by day by the Israelis.’ The footage is beautiful, but as he says again in that breathy disappointment, unusable.The Bedouins make look authentic, and they may even be the victims of colonialism and land grabs, but he still hasn’t found what he’s come looking for.
Where Pasolini’s musings lack any overt colonial critique, the camera highlights it. The shots of Jerusalem surrounded by barbed wire are particularly compelling. As Pasolini’s voiceover expresses awe at the natural beauty of these surroundings, the camerawork displays the indignities of everyday life for Palestinian inhabitants. As seen above, the camera zooms in and out of a shot of birds perched on top of barbed wire, in and out and in and out, a syntactical repetition of a sublime and sordid reality.
*Thanks to http://www.twitter.com/revsocialist for sending me the reference to that poem.
(All screengrabs by South/South)
It Can’t Happen Here – But It is
To millions of Americans, the “end times” seem to be on us. The BP disaster in the Gulf may leave 25% of America virtually uninhabitable, eco-systems destroyed for sure but maybe much more, a destroyed sea floor, toxic gas clouds moving inland and warnings of something worse, a geological disaster of biblical proportions sitting offshore like a ticking time bomb. Millions of American believe the president is a foreign born Muslim, a puppet of the terrorists while millions believe he is working for Israel. Every speech, every state visit, everything done is seen to support one side or another, sometimes both. The destruction of the American presidency is only part of it, part of a program of racial division, fear, hate and a descent into class warfare and violence.
The end result of the disasters, political infighting, religious extremism, the total collapse of trust in America’s system of government and the infiltration of terrorist elements into every institution, America’s military and political core, financial terrorists working to destroy America’s standard of living, its industrial base, its currency and, eventually the last of its freedoms will be the division of America, starting with an apartheid state and ending in “Balkanization” and the world’s largest nuclear arsenal being unleashed on the world. This has been heard before, it is a story that faith based broadcasting has been sending out to the American people for the past thirty years. The biblical flood began when the money disappeared.
The serious side is the economic meltdown. Even with the hundreds of billions Americans borrowed to give to our “banksters” who our “congress critters” decided were too big to allow to fail, we have no banks, simply depositories for stolen money while it waits to be shipped overseas. Money is taken in, none loaned out, not for jobs in America anyway. All the government did was to push the burgeoning debt left us by the Bush/Cheney failures even higher, topping $13 trillion dollars this month, money we owe to pay back money we never got from people who had no right to print it in the first place.
More and more Americans are becoming aware of the fact that our system, the Federal Reserve, is nothing but a racket where foreign bankers, all thinly disguised Rothschilds, sell us our own money while maneuvering us into debt, really a massive mortgage on America’s future, we can never keep up the payments on. America has been systematically destabilized, the most powerful nation in the history of the earth, living on borrowed money and, frankly, borrowed time.
TOO MUCH TO STOMACH, BP BUYING OUR GOVERNMENT AND LIEBERMAN CONTROLLING THE INTERNET
When Americans look at television and see half their politicians crying about BP, a company that laid waste to more of the planet than any in history, they see a world upside down. They know their politicians take money, everyone knows this, but to think they would be brazen enough to scream out “yes, we are crooks, what are you going to do about it?” is more than that. It is an announcement that anyone in government can do anything they want, anything, and never answer for it, not even face reelection problems. The more crooked a politician, the more favorable press he gets, the more the Israel lobby supports him, the more the Tea Baggers support him, the more “heroic” he is portrayed by the pundits and fear mongers.
Things have gotten so bad that Senator Josef Liebermann (I-srael) has introduced a bill that would allow the internet to be closed down in case of “emergency.” Liberman talks about terrorism or espionage but the real problem was that the “corporate press” got caught lying over the Freedom Flotilla massacre and millions of Americans have turned to the internet for the news, news sometimes bizarre, conspiratorial and fringe, often however, much more accurate and truthful than the newspapers and TV networks. His bill, written in Tel Aviv, is designed to make Americans who depend on the internet for news and communication feel helpless, isolated and ready to turn to violence.
Picture yourself going to the computer. Your email is blocked, nothing in, nothing out. You are looking at one screen, the same thing on every computer in the country. The logo, a simply, DHS, Department of Homeland Security. In the middle of the screen is a new search engine, “Safety Friendly Family Approved Searches.” Below that are approved news stories, linking you to ABC, CNN, FOX, CBS, MSNBC, the WSJ, NYT, WP and Family Security Matters.org. Below that is a warning:
“Your microphone and webcam are in active mode. Do not attempt to mute, shield or disable under penalty of law.”
Senator Lieberman is trying to start a civil war, more than just planting the seeds, this is a provocation, a clear and present danger to American freedom.
BUILDING THE MECHANISM OF APOCALYPSE, THE MOVE TO APARTHEID
Let’s talk about “social cohesion.” Israel has shipped their five million Palestinians to Jordan, Lebanon or Gaza to have social cohesion, one country, one race, one religion, no room for outsiders, no matter how long they have been around. America did the same thing with the Indians (Native Americans), eventually wiping most of them out in a series of wars, treaties and resettlement programs. However, America’s problems with social cohesion are far greater than Israel’s or even those of America during the pioneering years. Today, we are a society divided on, not only race and ethnicity but region, religion and, worst of all, extremist political views. The government that is supposed to join us together and the constitution that is meant to guarantee our belief in equal justice for all have been ground into the dust, twisted, bought, obliterated and disfigured.
America is heading for a meltdown. Another civil war is possible, even likely. 40% of states are bankrupt. This means they can’t pay police or teachers or fix roads except with borrowed federal money. It also means their pension plans, all that is meant to keep millions of Americans out of dire poverty in retirement, are gone. The states lost their pension plans in the 2007 collapse. Only federal bail outs, which aren’t going to happen, will cover this massive shortfall. Eventually, workers, hundreds of thousands of families who worked and saved for financial security will be told it isn’t there anymore. This isn’t the future, it happened, its real and it can’t be hidden very long.
There is no federal government to step in and carry the load. Wars have left it drowning and political corruption has crippled America to where it is no more stable than many of the nations of Africa. Hiding behind years of scare tactics, terrorism, tiny countries with nuclear weapons, or the real problem of Mexico’s collapse under the rule of drug lords and the millions flooding into our country, financial criminals have looted America and a worldwide criminal conspiracy of financial criminals, headquartered in Tel Aviv and New York, protected by congress and Mossad death squads traveling the world with German passports. The press, something we generously call either the “mainstream media” or “corporate controlled press” isn’t just a mechanism for censorship, its part of a long term effort to destroy the faith Americans have in their own ability as people to rule themselves and trust, not the criminals presented to vote for in elections, but their own ability to reject the lot of them.
THE MANY FACES OF THE AMERICAN TALIBAN
Radicalization of America has been the goal all along. Who would have ever believed that internet conspiracy theory would end up being, not only more believable, but more fair and certainly more balanced than traditional media sources that have been discredited to such a degree in recent months. A key area of division in America has been religion. For awhile, financed by the Israeli lobby and the “bankster” criminal elements, the “neo-cons” were able to build a bridge uniting Evangelical Christians with Christian Zionists, groups that are, from a scriptural standpoint light years apart. To this, the abortion/women’s rights issue drew many Catholics to abandon their traditional values and join with these groups which had shared little in common with them. Catholics are urban, typically well educated with a Euro-centric culture, while Evangelicals shun higher education for religious instruction.
The first American Taliban may have been the Puritans but they have been eclipsed in American history by the atavism of the Mormon Church, whose beliefs deeply parallel the most frightening and profound heresies of Islam, church over state, no rights for women and an undercurrent of violence unrivaled by any sect seen in a western society since the Albigensians. Mormons, chased across America, seized much of the Southwest and set up a defacto government, one with little in common with the rest of America. As the Mormon regions of America come into conflict with the massive Hispanic Catholic population, the roots of dissolution, border wars, draconian race laws and eventually full apartheid will take hold. It will start in Arizona and spread through the American West.
Perhaps the largest threat is the religious theory of Zionism. Originally a race theory based on Jewish racial superiority and political supremacy, offshoots of Zionism have entered Evangelical Christian belief systems creating the heresy known as Christian Zionism. Original Zionism, a violent and radical offshoot of Judaism is more racial than religious or political in nature. Though a minority of American Jews practice Zionistic beliefs, most are coerced into either financial support or even into sending children into military servitude in Israel in order to avoid social ostracism.
As the result of the founding of Israel in Judea or Palestine, a slow decline in social,cultural and intellectual traditions has infected the Jewish community in America, one known for the advancement of social causes and broad advocacy of American freedoms. With the increased radicalization of America and her economic decline, many Jews have looked to Israel as an anchor, failing to take into account the role Israel has played in the onset of the entropy they fear. This situation could be equated with burning down your home to save your garage.
Christian Zionists have only anecdotal similarities with the Judaic variety. They tend to be rural, poorly educated, envious and resentful, not only of what they call “elites” but many other groups as well but primarily African Americans. The basis of Christian Zionism is hatred of African Americans. All other monikers or descriptions are a subterfuge to escape the labels these same groups had been associated with in the past, Klan, racist or bigot.
Hiding behind tortured and obscure biblical references and using bizarre stories of disaster and apocalypse, stories oddly well supported by current times, these simple rural people unable to grasp much of the complex modern world. They have been melded into a political front serving the interests of Israel, a state they understand poorly, and the class of economic criminals, many associated with Israel but also with the movement in America called “conservatism.” Their political role has been to serve as a vocal and sometimes violent front for the economic oligarchy, a very real monied elite, that has assumed broad control over America’s policitcal and social life.
THE DOOM SO MANY PRAYED SO HARD FOR IS HERE
America’s security has been tied, for 65 years, to NATO. Today, our newspaper and TV gurus are telling us to dissolve NATO. With the breakdown of the alliance between Israel and Turkey, Israel, who controls 444 members of congress and 50% of America’s wealth has demanded that America either throw Turkey out of NATO or leave herself. As yet, Israel is allowing the United States to remain in the United Nations because America’s security council veto, used hundreds of times to save Israel from sanctions for war crimes or nuclear proliferation violations, is vital to the welare of Israel.
This week, Israel was discovered on the verge of bombing Iran. Little real damage would have been done. Iran has no nuclear infrastructure tied to weapons manufacture. The intent would be, as Israel had planned it, to enter Iran from the north where there are few defenses, bomb useless and remote targets, safe targets so all planes could return and claim a major victory, destroying that which did not exist. As Saudi Arabia has already been set up as the fall guy, said to have allowed the attack in advance, something the Saudis deny, they would become hated among Muslim nations.
Israel’s plan is to force Iran to attack Saudi Arabia, close the Straits of Hormuz and push America and Western Europe into total collapse. With 60% of the world’s oil supply eliminated, world financial and currency markets would collapse and the world’s armaments industry would explode with orders. Israel is the third largest exporter of weapons. Israel prides itself as the inventor of “game theory,” the method of strategic planning making use of deception, manipulation, “false flag attacks,” assassinations, bribery and blackmail in a complex chess match meant to bring the world to a chaotic state subject to their mathematical models. Israel is filled with Nobel Prize winners. This is what they work on.
The apolcalypse that Christian Zionists prayed for, the “end times” though to begin with a series of natural disasters has been hurried along. Pushing for a nuclear war has always been a part of it but the possiblity, not yet proven, that the BP disaster in the Gulf could eventually turn the Gulf Stream and leave Europe uninhabitable is a continual subject of discussion with America’s religious broadcast community.
HOW DESTABILIZATION BECOMES APARTHEID
With collapse in the trust in America’s institutions, a Supreme Court with five neo-Fascist judges, congress with 444 “Israeli-firsters,” and millions of Americans believing the president is the Anti-Christ, one more economic disaster, the one Israel is attempting to stage right now, would make the 2007 collapse seem like a joke. With the broadcast media having worked the country into fear, distrust and ready to pick up weapons to use against their neighbors, all carefully staged, the scripts have been passed out.
You will know when you see the face of Sarah Palin on every network, perhaps in a pantsuit with a miltiary cut. Do you think she will be wearing a beret? There will be a flag behind her and the Star Spangled Banker will fade to silence as she makes the announcements.
Nuclear arsenals will be seized by patriotic groups from within our military, led by Israeli commandos and helped by our armies of private defense contractors. Those secret “FEMA/UN” prisons will suddenly turn out to be real, with local police in riot gear, American flags on their cars and uniforms, hunting down journalists, activists and, eventually, the educated.
Senator Lieberman will pull the plug on the internet. Private logins will carry arrest lists.
After the educated classes and politially progressive groups are rounded up, then the African Americans and Hispanics will be cataloged, given travel restrictions. Pass laws will be enacted.
Then, surprise of surprises, they will start rounding up Jews.
Welcome to the hell of your own making.
* Gordon Duff is senior editor of Veterans Today.
The hero of “freedom of speech”, boycotted by the corporate, mainstream media that are irresistible against the astringent truth: this is the most precise and accurate introduction which I can present about Carlos Latuff. Born in the suburbs of Rio de Janeiro, Brazil, he is an artist of conscience whose artistic commitment and morality prevented him from becoming the pawn of imperialism.
Carlos Latuff is a world-renowned cartoonist who has long brought into existence artistic works and cartoons in which the footsteps of creativity, novelty, intelligence and decency can be traced noticeably. He has never been given the opportunity to showcase his matchless cartoons in the New York Times, Guardian, Washington Post, BBC or CNN; however, the narrow hallways of personal blogs and independent media outlets which allowed his cartoons to breathe in the atmosphere of publicity, made him a man of genuineness and reality, known by those who seek something beyond the outdated, obsolete propaganda of “all options are on the table”.
Carlos Latuff has drawn numerous cartoons which depict the pains of oppressed nations around the world; from the Palestinians being suffocated under the Israeli occupation to the Iranians receiving the spates of psychological operation co-manufactured by the White House and Tel Aviv.
Here is the complete text of my interview with Carlos Latuff, conducted for Iran’s best-selling newspaper Jame-Jam, where we elaborately discussed his intellectual mission and the prospect of his artistic trajectory.
Kourosh Ziabari: Dear Carlos; it seems that you’ve dedicated your entire mission to independent, freelance journalism and one can clearly figure out that you are not usually paid in lieu of what you draw for the magazines, newspapers and websites since a complete set of your cartoons and caricatures are available on your website for free. Do you accede to draw cartoons which are contrary to your ideological mindset should you be offered remarkable, irresistible payments?
Carlos Latuff: No way! I will only make artworks according my own Leftist beliefs. I don’t trade ideology for money. I work for Leftist trade union (workers) press since 1990, that’s what I make for living. Mainstream media would never pay me for making anti-capitalist and anti-imperialist artworks. But I have what I call of “artistic activism”, producing cartoons and making them available on the Web for free of charge reproduction; cartoons with a different point of view from the Western mainstream media; cartoons exposing what Michael Moore would call of “the awful truth”. I already refused payments for my drawings about Palestine. Solidarity can’t be measured by dollars.
KZ: You’ve received serious death threats from the Zionist circles and Israeli groups a number of times. Would you please explain for us a little about the details of these threats and the consequential events that followed them? Have you ever thought of putting aside your professional and artistic mission in order to preserve your safe, tranquil life?
CL: In 2006 a website associated to Likud (Likudnik) published a long article about me, my art, my support to Palestinians and labeled me as an agent at the service of a supposed “Iranian propaganda machine”, comparing me with Nazi propagandists. The author of the article argued why Israel didn’t take care of me before and urged readers to take steps against me. Let me be straight, I really don’t care about threats. Along the Palestinian cause I also support human rights organizations against police brutality in Brazil. This kind of activism alone could put me in high risk of life. But, as I said, I don’t care; I will continue with my artistic support, ’cause if Zionists worldwide are pissed off about my cartoons, it’s because I’m doing something right. Death can stop me yes, but not my cartoons. That’s why I make them run free around the world through Internet.
KZ: You belong to a prosperous country which is the 8th economic power of the world and the 10th trade partner of the United States. Brazil also maintains normal ties with Israel and this is something which many anti-war and anti-imperialism activists dislike. Coming from such a country, you profoundly grasped the essence of oppressed nations’ suffering and sympathized with them wholeheartedly. How did you rise from Brazil and came to assist the oppressed nations?
CL: I grown up in the suburbs of Rio and my parents worked hard to give me study and a humble but decent life. Being the 8th economic power makes no difference to the ordinary people in Brazil. We have poverty, corruption, criminal and police violence, influent and strong landowners in countryside, people dying of dengue fever and malaria, and a mainstream media which is always trying to convince public opinion that everything is ok with capitalism. As someone living in a Third World country I can’t turn a blind eye to this situation here and in other parts of the world. Last year I was in Palestinian refugee camps in Jordan and Lebanon, places very similar to Brazilian slums (favelas). It wasn’t hard to realize that the language of poverty is universal, as universal must be the solidarity with people in need.
KZ: You’ve for years cooperated with a number of media outlets in the Western countries and can precisely estimate the veracity of the slogan of “freedom of expression” in the countries who introduce themselves as the harbingers of liberty and tolerance. I clearly remember the spates of verbal and political attacks on the artists who had participated in Iran’s International Holocaust Cartoon Competition. Even the then United Nations Secretary General Kofi Annan had condemned the contest and this could simply demonstrate the lopsidedness of “freedom” which they claim to be the pioneers thereof. What’s your idea about that? Are the western media outlets really free?
CL: Still today I’ve been accused of denying Holocaust because of that artwork for which I won the second place in the Iranian cartoon contest. It’s funny since the cartoon shows a Palestinian elderly wearing a concentration camp uniform, which not only affirms the existence of the Nazi Holocaust as well as making a comparison between it and the suffering of the Palestinians. I believe that this contest had exposed the Western’s double standard. When you ridicule and attack Prophet Muhammad (PBUH), Islam or Muslims, then this is called “satire”, “humor”, “freedom of speech”, whatever. Joking about Islam is pretty acceptable. Islamophobia is popular in the US and Europe, specially after September 11. However the same freedom you have for making cartoons about Islam and its Prophet you won’t have while dealing with Holocaust and Israel. If you dare draw Israeli soldiers killing Palestinians (isn’t a fact?), you will be automatically labeled as anti-Semitic. While Muhammad cartoons were wide spread in Europe, Holocaust cartoons weren’t not reproduced in any European newspaper.
KZ: Your stance towards Iran’s nuclear program (Iran intends to meet its energy, electricity needs through nuclear reactors) and Israel’s nuclear program (Israel possess up to 200 nuclear warheads, according to the Federation of American Scientists) is delicately accurate and specific, indicating your extensive acquaintance with the regional equations and developments. Iran is being lethally pressured to halt its civilian nuclear program and Israel has been unconditionally safeguarded by Washington to keep up with its military atomic program. What’s your take on this?
CL: In fact all this turmoil about Iranian nuclear program has more to do with the fear of US, Europe and Israel of having a country in Middle East with nuclear capability. It will change the geopolitics in the region, since no Arab country was ever allowed by US of having anything nuclear. Only Israel can have not only nuclear plants but also nukes, immune to inspections and international law. If Iran will develop nuclear capabilities for civilian or military use, it doesn’t matter. The point is, if US, Europe and Israel are so concerned about threats to peace, why don’t they start proposing sanctions against Pakistan and India, since both countries have a nuclear arms race since long time? Because both countries are allies of Washington? Why not a single word about the Israeli nuclear program? Why Mordecai Vanunu is prevented to speak about it?
KZ: Most of your critics accuse you of arising anti-Semitic sentiments by drawing cartoons which condemn the State of Israel and its leaders for the atrocities and felonies they commit. Is this the case that you’re opposed to Jews as the followers of a divine religion, or do you simply go up against the expansionist Zionists who commit crimes against humanity and massacre the defenseless people of Palestine?
CL: I’m not a religious man, and none of my cartoons deal with Judaism. You won’t find any of my artworks attacking the Jewish. My issue with Israel and their supporters is only about politics, imperialism. Even not being Muslim, I do support Muslims against Islamophobia, since I can’t agree with prejudice against religion. Of course anything that may be slightly perceived as criticism towards Israel will be associated with hatred towards Jews. This old trick is applied to anyone who dares speak against Israeli apartheid. But everyday more activists understand this misuse of anti-Semitism and keep the struggle regardless of the false allegations and smear campaigns from Zionists.
KZ: Have the global mainstream media outlets (the New York Times, Washington Post, Guardian, Los Angeles Times, BBC, Reuters, Associated Press and so forth) which universally rule the public opinions ever published your cartoons? Why don’t such media outlets which assert to be the pioneers of freedom of expression accept allowing the publication of disparate viewpoints which are contrary to their focal approach?
CL: Reuters made a video interview with me last year about my art and views. I had some of my cartoons shown on Al Jazeera and George Galloway show at Press TV, but this is an exception. Usually only Arab media outlets are interested in my opinions. Western mainstream media isn’t interested in giving space to a Leftist artist who supports people’s struggle in Palestine, Iraq and elsewhere. But in a way or another, I find a place to make my opinions visible. Internet is my best ally. You see, even not being a famous artist promoted by mainstream media, you and your newspaper know about me and my cartoons. Internet has broken the obstacles imposed by corporate media. And I won’t make concessions for mere 15 minutes of fame; will keep fidelity with my principles.
KZ: The subjugated people of Palestine and other countries which have been subject to the brutality of imperialism throughout the history will be encouraged and hopeful when they find conscientious artists like you sympathizing with them. Have you ever felt the courage and valor you present to the people of Palestine with your artistic endeavors?
CL: I’m very suspicious for talking about the Palestinians. I have never seen such a brave and courageous people like them. I started making cartoons about Palestinians since my trip to West Bank in 1999 and since then my sympathy for their cause only grow up. After my recent visit to Jordan and Lebanon, invited by Al Hannouneh Society for Popular Culture, I realized that my relation with Palestinians is not only political. I have pure love for that people.
KZ: Please tell us about your latest activities. How was the experience of winning a prize in the Iran-based International Holocaust Cartoon Competition? Do you like to come to Iran once again and touch the pains and difficulties of the Iranian people in person?
CL: Usually I don’t participate in contests, since I’m not interested in the prizes and stuff. The purpose of my art is supporting social movements, rather than feeding my own ego. But I saw the Holocaust cartoon competition as a timely opportunity for making visual comment about Palestinian suffering. In that occasion, I was invited by my good friend Massoud Tabatabai to attend the prize award ceremony in Teheran but unfortunately I wasn’t able to travel. But of course if I had another chance, I would be more than glad to visit Iran.
Posted by Gilad Atzmon at 2:37:00 AM
Carlos Latuff Cartoons
West Bank Concentration Camp